Sunday, October 31, 2010
An "Event Photography" Rate Calculator
One of the biggest challenges for a freelance photographer in getting your client to agree to pay the rate that you've quoted them is that they don't understand why you want them to pay that amount. Most of the public seems to believe that artists just make up a number for what they want to be paid and then ask for it. Granted, some artists do but in a heavily equipment based field like photography, we are quoting a number and that number needs to be high enough to support all that expensive equipment we use to shoot those events. If it's not, we simply cannot afford to keep shooting. It's that simple. So I have developed and decided to share the calculator I use when creating quotes for events. But FYI - this calculator is for general events ONLY (not photoshoots and not weddings). Photoshoots and Weddings require A LOT more work than just coming to your event and taking pictures. Each involves scoping out locations, more equipment, insurance, and a lot more time in post processing. So again, use this calculator for events only.
First, let me explain how these are basically calculated.
Time = Event Time (how long the event is) + Post Processing (Event time x 2) + Travel Time (add 1 hour locally for roundtrip travel + gas + car usage. Add more for travel out of the area)
Rate = usage rate + photographer average rate for your state (can be located here http://www.bls.gov/oes/current/oessrcst.htm
Usage Rate = (Camera value/annual work time) + (Computer value/annual work time) + (Software value/annual work time) + (Photographer years of experience*value photographer invests annually in classes, conferences, other education) + any other misc. value (i.e. number of years experience, etc.)
Discount = if you apply one, factor that in there at the end after you have calculated your Time * Rate
And after you do all that, you have got the number you should be quoting your client. You also have a transparent formula that you can show your client so that they really understand what it is that they are paying for exactly.
To access the spreadsheet I created that calculates this, click here.
Good luck! :)
Thursday, October 21, 2010
How much should I charge for my photo / design work?
The basic formula that I keep hearing is this:
Time + Experience + Value of equipment = what you should expect to receive for your work
This meaning that the amount of time you spend on the project comes into what you charge. The years of experience and amount of education and expertise you have accrued also impacts your rate. The kind of and amount of equipment you use also impacts that number.
But most people just want to know what hourly rate is everyone else charging so that you know what you are competing with. Well, that information is readily available online at the U.S. Bureau of Labor Statistics. You can get the mean and median hourly pay, weekly pay and hours worked, and annual pay listed there nationally and by state for almost any job out there, including photographer and graphic designers. These numbers are not what people necessarily want to be getting paid, but what people are actually being paid or at least what they are claiming on their taxes. This information is available annually. Oddly, more people don't know that so if you didn't, you are not alone at all. Here's how you find your numbers:
National Data
State Data
So for example, the average hourly rate for a graphic designer in California (as of May 2009) was $27.49. Now, what I don't know is what proportion of those wages is attributed to freelance designers and what proportion are graphic designers staffed at an agency. What the consumer pays between the two are likely to be more similar than what a designer can expect to be paid. But regardless, this information is invaluable and every employer and employee should be aware of what these numbers are.
Hope that helps!
Time + Experience + Value of equipment = what you should expect to receive for your work
This meaning that the amount of time you spend on the project comes into what you charge. The years of experience and amount of education and expertise you have accrued also impacts your rate. The kind of and amount of equipment you use also impacts that number.
But most people just want to know what hourly rate is everyone else charging so that you know what you are competing with. Well, that information is readily available online at the U.S. Bureau of Labor Statistics. You can get the mean and median hourly pay, weekly pay and hours worked, and annual pay listed there nationally and by state for almost any job out there, including photographer and graphic designers. These numbers are not what people necessarily want to be getting paid, but what people are actually being paid or at least what they are claiming on their taxes. This information is available annually. Oddly, more people don't know that so if you didn't, you are not alone at all. Here's how you find your numbers:
National Data
- Visit the National Compensation Survey at http://www.bls.gov/ncs/
- Scroll down to the tab labeled NCS Publications
- Under WAGES, click on the most recent publication (NOTE: as websites are updated, these screenshots may change)
- Under CONTENTS, click “Print the entire bulletin”
- DO NOT ACTUALLY PRINT. This publication is approximately 800 pages. Clicking this will only bring the entire publication on the screen as a .PDF so you may view it.
- Scroll through to the job areas that interest you.
State Data
- Visit Wage estimates by state http://www.bls.gov/oes/current/oessrcst.htm
- Select your state of interest
- Scroll down and view the average (mean) hourly/annual pay for the respective jobs in that state.
So for example, the average hourly rate for a graphic designer in California (as of May 2009) was $27.49. Now, what I don't know is what proportion of those wages is attributed to freelance designers and what proportion are graphic designers staffed at an agency. What the consumer pays between the two are likely to be more similar than what a designer can expect to be paid. But regardless, this information is invaluable and every employer and employee should be aware of what these numbers are.
Hope that helps!
Wednesday, October 13, 2010
New Project: Salton Sea Faded Oasis
Ok, taking a break from photographer-awareness/griping/complaining, I am posting the link to my most recent project. I kept hearing things about the Salton Sea and being an East Coast girl, hadn't really seen anything before like what people were describing. So I decided to head out there. Salton Sea : Faded Oasis is 20 pictures of what I found.
Wednesday, October 6, 2010
Can you come out and shoot my 5 hour event? I'll pay you $50!
I recently spent some time watching the 3 day free tutorial in nightclub photography offered by http://www.nightclubphotographyonline.com. If you have any interest in that area, I really recommend checking them out. They have some great tips and are really the only guys I have been able to find that have any information on being an effective club photographer. One of their tips was that if you are interested in breaking into the nightclub photography scene, to offer the club promoter or owner your services for free for a few nights so they see how you work and what your product is. This is something that I think is a great tip and that I myself have done before. So if you want to get into that field, give that a shot. It would probably pay off more in the long run.
When I offer or agree to shoot an event for free, my reasoning usually falls into one of two categories.
1. I have extended the offer because I want something out of this deal
This would absolutely be the case where you offer to shoot that nightclub for free as a deal to possibly be hired for work in the future. It's like all those free samples at Costco. They aren't just handing out those samples to feed their customers while they're shopping. They hand them out to get them interested in things they might not have bought without having tried. It's a small cost to pay to increase sales. I actually have 3 pounds of italian sausage still sitting in my freezer because of just this. If I approach someone and ask them if I can take their picture at no cost to them, it's because I want to try some new technique out, or get some particular type of photo in my portfolio (i.e. maternity, fashion) to show prospective clients, are working on a personal project, or want to initiate some kind of mock interview with them or their company. The reason for my offer is ultimately self-serving because I, like any business person, wants to stay in business and sometimes that means giving out free samples (within reason and moderation). The biggest diversion that I have from this is when I shoot photos for documentary work. The goal with that work is to educate and ignite social change. The goal is not self serving to my business efforts or to roll a profit for anyone. In those cases absolutely, I work for free but it's also a project I myself am pursuing and as is the case with passion, cannot have a price tag. But if someone contacts me and wants me to go somewhere to cover some subject for them, that falls into the "I'm working for you, you need to pay me" category. Plan on compensating a photographer for that.
2. I have accepted the offer because I want to help someone out
I have friends. Everybody has friends. Sometimes, you may have a friend who is not going to have professional wedding pictures taken at their wedding because they simply don't have the funds. Sometimes, you may have a friend who is a part of a non-profit charity event that relies on the giving and donation of other people and want a photographer to capture the event but doesn't have the funds for it. In these cases, I could absolutely see the logic and reasoning in working free of charge. I have been helped left and right in my life and as is the premise with "paying it forward," honestly enjoys when I can give back to a good cause doing something that I love to do anyway. So in the sense of giving, give back when you feel that you can really do something great for someone who needs it and would otherwise be unable to have it. However, even in the sense of giving, I cannot make charity work the basis of my business because then I will be unable to stay in business. Therefore, invitations to shoot for free with no benefit to my business need to be accepted in moderation. If I always worked for free than I could not afford to work. Interesting paradox but all too true. Yet, a free event here and there for someone who could really use it, if you feel that it's a good use of your time, go for it.
All in all, photography is a business. Whether you work for yourself (freelance) or work for a studio or agency, it's still a business. Programs and transportation and equipment cost money - a lot of money. So in order to keep working at a professional level, an income has to be obtained. We as photographers, especially those of us that have developed a desirable product, get lots of invitations to shoot events and get special access - for free. Most often, it's disguised in some sort of, "you can work on your portfolio!" language. If you need that kind of shot in your portfolio, go for it. But usually, when the free invites for that type of event or subject start rolling in, it's because you already have great shots in your portfolio in that area and they just want free services. Be selective and don't become known as the free photographer if you want to be paid.
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